После установки проги, надо снова зайти по ссылке и нажать скачать, прога автоматом заработает и появиться ссылка, для скачивания лучше пользоватся каким-нибудь менеджером закачек. Других проблемм не вижу. Либо надо подробнее писать и не в комментариях, а либо на форуме либо мне в личку.
MUBI is ecstatic to take you on a surreal new adventure with indefatigable globetrotting auteur, Werner Herzog. Filmed guerrilla-style in Japan, Herzog’s unique dramatization of the real phenomenon of renting family members and social stand-ins explores the uncanny essence of human relationships.
Год выпуска: 2003 Жанр: балет Продолжительность: общая: 3ч.27м. Режиссер: разные
В ролях: Кроме М.Барышникова Baryshnikov on Broadway: Nell Carter,Liza Minnelli, "A Chorus Line" Baryshnikov Dances Sinatra and more...(Baryshnikov by Tharp): E.Kudo, D. Carberry,S.Jafe American Ballet Theatre at the Met: P.Bissell,E.Bujones,C.Gregory,C.Harvey
Описание: Сборник из трех независимых выступлений: Baryshnikov on Broadway: эстрадное шоу, хореография Ron
Field.Специально приглашенный гость - Лайза Миннелли.
Продолжительность:50 мин. Baryshnikov Dances Sinatra and more...(Baryshnikov by Tharp): мини
спектакли Барышникова, хореография - Тwyla Tharp. Продолжительность:57
мин. American Ballet Theatre at the Met: бенефис Американского театра балета. Продолжительность:1ч. 40мин.
This summer, MUBI is excited to host a new series dedicated to the best of contemporary Brazilian cinema. Filmmaking in Brazil has undergone many disparate phases, from the French New Wave influenced Cinema Novo—a movement for whom film aesthetics were a political act—to the São Paulo-born underground cinemas of the late 1960s, and all the way through to more recent (Oscar favorites!) Central Station and City of God. In the wake of the country’s modern-day political turmoil, Brazil’s filmmakers have recently been producing strikingly poignant, urgent cinema. With the aim of reflecting the eclectic nature of this recent upsurge, our selection embraces both the world of fiction and of documentary, from up-and-coming voices as well as established masters. Whether through the hypnotic clash between the indigenous and urbanized world as portrayed in The Dead and the Others, the genre-twisting nature of Good Manners, or Landless’ intimate observations of local political activism, these are all works that demonstrate how bold and tactful world cinema can be, remaining conscious of its own past yet still forward-looking.