Компания Random, созданная в 1992 году, завоевала международное признание благодаря своим оригинальным работам, фантастической эстетике и высококлассным танцовщикам. Достижения компании в этой сфере были отмечены Английским комитетом искусства (The Art Council of England), вручившей ...Подробнее
Актеры Federico Bonelli, Ricardo Cervera, Tamara Rojo, Mara GaleazzI, Sarah Lamb, Steven Mcrae, Laura Morera, Ludovic Ondiviela, Eric Underwood, Jonathan Watkins, Edward Watson
Актеры Federico Bonelli, Ricardo Cervera, Tamara Rojo, Mara GaleazzI, Sarah Lamb, Steven Mcrae, Laura Morera, Ludovic Ondiviela, Eric Underwood, Jonathan Watkins, Edward Watson
Програмный балет Иржи Килиана, в котором использована Симфония псалмов (Symphony of Psalms) Игорь Стравинский (Igor Stravinsky).
В исполнении Лондонского симфонического оркестра (London Symfony Orchestra), хора Английского Баховского фестиваля (English Bach Festival) под управление...
MUBI is ecstatic to take you on a surreal new adventure with indefatigable globetrotting auteur, Werner Herzog. Filmed guerrilla-style in Japan, Herzog’s unique dramatization of the real phenomenon of renting family members and social stand-ins explores the uncanny essence of human relationships.
Режиссер/Хореограф: Jonathan Haswell, Barry Wordsworth
Исполнители:
Federico Bonelli, Ricardo Cervera, Tamara Rojo, Mara GaleazzI, Sarah Lamb, Steven Mcrae, Laura Morera, Ludovic Ondiviela, Eric Underwood, Jonathan Watkins, Edward Watson
Треклист:
1. Хрома (Chroma). Музыка: Джоби Талбот (Joby Talbot), Джек Уайт III (Jack White III) .
Видео поток: Xvid 720x416 23.98fps 1370kbps
Аудио поток: Dolby AC3 48000Hz 6ch 448kbps
2. Инфра (Infra). Музыка: Макс Рихтер (Max Richter). Уэйн МакГрегор стал обладателями приза "Benois de la Danse – 2009" в номинации "Хореографы" за балет "Инфра" (Королевский балет Великобритании).
This summer, MUBI is excited to host a new series dedicated to the best of contemporary Brazilian cinema. Filmmaking in Brazil has undergone many disparate phases, from the French New Wave influenced Cinema Novo—a movement for whom film aesthetics were a political act—to the São Paulo-born underground cinemas of the late 1960s, and all the way through to more recent (Oscar favorites!) Central Station and City of God. In the wake of the country’s modern-day political turmoil, Brazil’s filmmakers have recently been producing strikingly poignant, urgent cinema. With the aim of reflecting the eclectic nature of this recent upsurge, our selection embraces both the world of fiction and of documentary, from up-and-coming voices as well as established masters. Whether through the hypnotic clash between the indigenous and urbanized world as portrayed in The Dead and the Others, the genre-twisting nature of Good Manners, or Landless’ intimate observations of local political activism, these are all works that demonstrate how bold and tactful world cinema can be, remaining conscious of its own past yet still forward-looking.
