MUBI is ecstatic to take you on a surreal new adventure with indefatigable globetrotting auteur, Werner Herzog. Filmed guerrilla-style in Japan, Herzog’s unique dramatization of the real phenomenon of renting family members and social stand-ins explores the uncanny essence of human relationships.
Жанр: опера (Live, спектакль)
Продолжительность: 160 мин.
В ролях: IL Marchese di Calatrava Giorgio Algorta
Leonora suafiglia Renata Tebaldi
Don Carlo di Vargas suojiglio Ettore Bastlanini
Don Alvaro Franco Corelli
Preziosilla giovane zingara Oralia Dominguez
Padre Guardiano Jrancescano Boris Christoff
Fra Melitone Jrancescano Renato Capecchi
Curra cameriera di Leonora Anna Di Stasio
Un Alcade Giuseppe Forgione
Mastro Trabuco Mariano Caruso
Un Chirurgo Gianni Bardi
Orchestra e Coro del Teatro di San Carlo Napoll
Maestro concertatore e direttore: Francesco Molinari Pradelll
Maestro del Coro: Michele Lauro
Napoli 15 Marzo 1958
Качество: DVD5
Формат: DVD Video
Видео: NTSC 4:3 (720x480) VBR
Аудио: Not specified (MPEG1, 2 ch)
This summer, MUBI is excited to host a new series dedicated to the best of contemporary Brazilian cinema. Filmmaking in Brazil has undergone many disparate phases, from the French New Wave influenced Cinema Novo—a movement for whom film aesthetics were a political act—to the São Paulo-born underground cinemas of the late 1960s, and all the way through to more recent (Oscar favorites!) Central Station and City of God. In the wake of the country’s modern-day political turmoil, Brazil’s filmmakers have recently been producing strikingly poignant, urgent cinema. With the aim of reflecting the eclectic nature of this recent upsurge, our selection embraces both the world of fiction and of documentary, from up-and-coming voices as well as established masters. Whether through the hypnotic clash between the indigenous and urbanized world as portrayed in The Dead and the Others, the genre-twisting nature of Good Manners, or Landless’ intimate observations of local political activism, these are all works that demonstrate how bold and tactful world cinema can be, remaining conscious of its own past yet still forward-looking.
